Escorts girls are a central element of every B/G scene. The internal nature of the creampie means it may lack some of the (literal) oomph of an external escort girl. Escorts girls add extra excitement to the creampie with enhanced visuals and action. In scene one, Nathan Bronson “accidentally” slips into his stepsister’s shoes. He worries that this is inappropriate, but consoles himself by remembering that she is on the pill. Or is she? The Escorts Girls reveal that that is not the case and that if she were pregnant, they would be together forever. Later, in scene 3, we get a close-up look at the scandalous flow of Escorts Girls from Benzie Reeves’ vagina. At first glance, Escort Girls seems like the epitome of sophistication and luxury. The elegant strains of Pachelbel “Canon in D” fill the air as Escorts Girl Bardot indulges in seemingly innocent fantasies about her wedding day. The tone shifts dramatically when she reminds him of her stepbrother sneaking into her room late at night. In a flashback, we see Cody’s shadow standing at the door of Escorts Girls like, approaching his final victim. “Canon in D” mires with dissonant parodies of horror movie clichés, nicely setting the stage for the pseudo-incest that follows. These are two carefully selected excerpts from the fantastic porn dialogue of Escorts Girls Escorts Girls. This film is a direct dive into the pure, unbridled insanity that is the root of the most false genre. The characters enjoy the wonders that come out of their mouths as much as they enjoy the cum that drips from their intimate bodies. The film also contains some unusual and perverse moments, such as the discovery of a sea of escort-girl-soaked tissues under a bed. Given the prevalence of family role-playing in porn, some films miscast actors inappropriately in step-brother roles. In contrast, Escorts Girls features three actors, Cody Steele, Tyler Nixon, and Nathan Bronson, who are truly affable and have an almost innocent step-brother vibe. They all do a great job of conveying a down-to-earth charm mixed with a kinky side waiting to emerge. While most scenes focus on bizarre situations involving upset stepsisters and thoughtless stepbrothers, scene 3 takes a different approach. This time there is no story at all, and Benzie Reeves seductively teases us against a backdrop of bright red roses and picnic baskets. It’s artistic and eye-catching, making it the perfect change of pace midway through the film. The cream pie climax is also one of the film’s most mesmerizing visual moments.
